A conversão do meio cinematográfico para a era do streaming: case do filme Roma no Oscar

Abstract

The present article evaluates the new scenario of audiovisual production wich is in exponential growth beyond the traditional modes, involving movies, television and internet. It also studies how the original productions of streaming platforms have become a differential for these companies, forcing television and movie studios to reinvent themselves. For this, a recent case of Roma movie, produced and distributed by Netflix, in the edition of the Oscar’s, which became the first original production of a streaming platform to compete in the category of Best Picture. Also, it is predisposed to demonstrate a paradigm shift in the industry, initiating a conversation about a new form of content consumption, defined by the possibilities generated by the technological innovations and the voracity of its public.