A ironia e as máscaras tragicômicas na ficção dramática de Machado de Assis: um estudo de Quincas Borba

Abstract

The Machadian Work, in prose and in verse, is inserted in a critical and inventive Literature tradition that is fundamental for modernity and post modernity: the heritage of the primal science of their irony which is remounted to the parabasis of Aristophanes' comedies and to all the dialogue set up by them until now a days, as well as the legacy of the Satirykon which dionisic origins pervade the tragicomic dramas of Euripides and Shakespeare and still exist at the dramatic fiction which ever their poetic configuration in actuality. This monograph has as objective reflect about their ony and the dionisic origins of the tragicomic drama by relating them with there reversibility principle that pre-exist the genesis and the development of the prose and the machadian fiction and with the reflective, dramatic, mocking machadian narrator statute, having as basis the Quincas Borba romance and the tragicomic masks acting that the mimic-dramatic narrator realizes at this work.